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FORE:"Unless we die," said the Clockwork man, clicking slightly, "unless we consent to be broken up and put into the earth, and wait while we slowly turn into little worms, and then into big worms; and then into clumsy, crawling creatures, and finally come back again to the Vale of Tears." He swayed slightly, with a finger lodged against his nose. "But it will take such a frightful time, you know. That's why we chose to have the clock. We were impatient. We were tired of waiting. The makers said we must have patience; and we could not get patience. They said that creation really took place in the twinkling of an eye, and we must have patience."

FORE:At the end of the row, large, inane, and comfortable, came Mrs Keeling, listening without appreciation, dissent, or emotion of any kind to this uncompromising view of the future of miserable sinners, for that was not the sort of thing that affected her in the slightest degree, since it concerned not this world but the next. Though she quite believed in the next world, she did not take the smallest interest in it: she regarded it just about as the ordinary citizen of a country town regards Australia. Very likely Dr Inglis was right{5} about it, and we should all know in time. She had pale eyebrows, rather prominent gray eyes, and hair from which the original yellow was fast fading. Her general appearance was of a woman who, thirty years ago, had probably been exceedingly pretty in an absolutely meaningless manner. This, indeed, had been the case, as certain photographs (fast fading too) scattered about her ��boudoir�� sufficiently proved. It was reasonable to suppose that her marriage with so obviously dominant a man as Thomas Keeling should have sucked all colour, mental and physical, out of her, but in the process she had developed a certain protective strength of her own, an inertia of dead weight. She did not make up her mind on many topics, but when she did she sank deeply down like a stone, and a great deal of grappling and effort was required to move her. She did not argue, she did not struggle, she just remained. Her power of remaining, indeed, was so remarkable that it was possible that there might be something alive, some power of limpet-like suction that gave her force: on the other hand, it was possible that this sticking was mere brute weight, undirected by any human will. She stopped where she was, obeying habits of heavy bodies, and it required a great deal of strength to shift her. Even her husband, that notable remover of all obstacles that stood in his way, seldom attempted to do so when he was convinced she meant to abide. In the course{6} of years he had tugged her, or perhaps she had really gone of her own accord, to the sort of place where he wished her to be, somewhere between an easy-chair in the awful drawing-room which she had lately furnished, and the kitchen. In other words, she gave him an extremely comfortable home, and took her place there as hostess. But if he wanted more than that, she was, as he had found out, a millstone round his neck. In common with many women of her type, she had a practically inexhaustible flow of words to her mouth which seemed a disintegration rather than an expression of the fabric of her faculties; but every now and then among this debris there occurred an idea, disconnected from all else, and floating down on its own account, which seemed to suggest that Emmeline had a mind after all, though you would never have thought it. But an idea did appear now and again, a bright, solid, sensible idea, lying there like a jewel in a gutter. She had tastes, too, a marked liking for sweet things, for quantities of cream in her tea, for bright colours, for what we may call Mendelssohnic music and for plush-like decorations. She had a good deal of geniality which, so to speak, led nowhere, and a complete absence of physical cowardice, which might be due to a want of imagination.

FORE:"Yes," answered the captain, "the poor fellow was nearer the centre of the typhoon than we were. There'll be a job for the ship-carpenters and riggers at Shanghai; it's an ill wind that blows nobody any good."

FORE:

FORE:"We have automobiles and flying machines," interrupted Allingham, weakly.

FORE:The cause of our interruption was Camille Harper. We had been pacing the side veranda and she came out upon it with an unconscious song on her lips, and on one finger a tiny basket.

FORE:He broke off and struggled with some queer kind of mechanical emotion. "And now they play games with us. They wind us up and make us do all sorts of things, just for fun. They try all sorts of experiments with us, and we can't help ourselves because we're in their power; and if they like they can stop the clock, and then we aren't anything at all."

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